![]() ![]() With special thanks to Steve Freeth through his generosity, we acquired boxes of Moriceau’s materials for the NFSA collection in 2016. I had the whole lot shipped to the Namibian desert where we shot the film.'Īlthough it is nearly 40 years since Moriceau contributed to Mad Max 2, her work has continued to influence and inspire art, fashion and film worldwide. who had accumulated the most amazing collection of junk which was all in boxes at Fox Studios. In a tribute to Norma Moriceau at the Australian Production Designers Guild Awards in 2019, director George Miller described Moriceau as 'regal' and 'comprehensive' and as someone who 'dug right deep into character'.Īccepting an award in her honour, Ross Wallace described Moriceau as 'a riddle wrapped up in a mystery, inside an enigma with crocodile teeth and leopard skin and broken-down jackets'.Ĭostume designer Jenny Beavan, who won an Oscar for her work on Mad Max Fury Road (2015), said she 'was very indebted to Norma Moriceau. This rare home movie shot by Norma Moriceau in an unknown location captures the artistic and creative scene in which she was immersed, circa 1980: In an excerpt from Kyle Buchanan’s Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road, cast and crew recall the feud that nearly derailed the Oscar-winning film. She also worked with Julien Temple on the film The Great Rock’n’Roll Swindle (1980), styling McLaren and the Sex Pistols. She took the iconic photograph of Westwood in her designer 'Destroy' t-shirt, a garment originally sold at Westwood and McLaren’s boutique store Sex and now part of the collection of the Metropolitan Museum of Art in New York. By the 1970s, she was friends with fashion designer Vivienne Westwood and her partner Malcolm McLaren (they lived around the corner) with whom she often collaborated on film shoots. In the swinging 60s, she entered the fashion world as photographer, stylist and editor for a string of hip fashion magazines including Nineteen, Vogue and London Life. In her early teens, Norma Moriceau started her career as a model with June Dally-Watkins before taking herself to London to pursue other opportunities. The Pursuit Special, also referred to as the Last of the V8 Interceptors, is the iconic black GT Falcon muscle car featuring a distinctive supercharger driven by the title character Mad Max during much of the Mad Max franchise, where it appears in Mad Max, Mad Max 2: The Road Warrior and in Mad Max: Fury Road, as well as both video games.
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